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Reviews of New Books February, 2011

Cover image of Mother Ireland written by Victoria White

Mother Ireland by Victoria White

Victoria White describes growing up in 1980s Ireland as a struggle between babies and career. Don’t get pregnant. Or, at least, don’t get pregnant until your career is sorted. And, whatever you do, don’t let the babies interfere with your career. Unwritten rules are all very well, but as White – who is married to former Green Party TD Trevor Sargent – discovered, she didn’t want to go back to work after having her babies. She was happy and fulfilled to stay home and raise her children but soon discovered that many other people had a problem with it. She describes taking part in a television debate and the consternation of producers who didn’t know what title to give her, not being comfortable with labelling her ‘just’ a mother. Above all, White is philosophical about the differing choices we all make, and she is not interested in the age-old ‘working vs. stay-at-home mother’ debate. She notes: “I have no ideological complex about whether a mother should work full-time or not … I think a woman should work that one out for herself, according to her circumstances … These are calculations which no government should ever make on behalf of a family.”


Cover image of Minding Frankie written by Maeve Binchy

Minding Frankie by Maeve Binchy

It’s nice to see a return to form for Maeve Binchy after a couple of very lacklustre efforts over the past couple of years. In Minding Frankie, there are all of the familiar elements of a good Binchy yarn: emotional dilemmas, people struggling with personal crises, and a central vein of love and community spirit which runs through the story and serves as a great unifier. The baby Frankie of the tale is born into a highly unconventional family setup, but there is a huge amount of love for the child, and no shortage of people willing to help with caring for her. Her father Noel finds single fatherhood a struggle, especially when uppity social worker Moira is only dying to prove that he’s not up to the job. Meanwhile, Lisa is tying herself in knots trying to impress a man who couldn’t be more wrong for her. And returned Yank Emily has her work cut out for her trying to make everyone see sense. Lots of old familiar characters pop up throughout, including twins Simon and Maud and their guardians Muttie and Lizzie.


Cover image of The Burning written by Jane Casey

The Burning by Jane Casey

It’s been a busy few weeks for police officers on the murder task force in London, with four dead girls and counting. Dubbed The Burning Man by helpful media, someone is beating young women to death before setting their bodies ablaze in secluded parks. When one young woman takes the law into her own hands, determined not to be the fifth victim, there is a quick flare of hope that the murderous rampage has come to an end. But it turns out to be a false identification, leaving the real murderer still at large. Detective Constable Maeve Kerrigan has long suffered slagging over her Irish roots and her red hair, which makes her all the more single-minded in her quest to solve the case. Not helped by her distraction over the disintegration of her longterm relationship, her focus is also diluted by her growing closeness to her work partner. And then there is victim Rebecca Haworth, whose death is beginning to look more and more like the work of an opportunistic killer taking advantage of the chaos caused by the Burning Man. A wonderful page-turner from an author to watch out for.


Image of Scissors Paper Stone written by Elizabeth Day

Scissors Paper Stone by Elizabeth Day

Along with the creeping sense of foreboding that comes as you delve further into this father-daughter tale, is the sense of perverse relief – to this reader, at least – that abuse is far from being just an Irish dirty little secret. With all that has come out in this country over the last few years, we could be forgiven for thinking that we are somehow alone in twisted and tortured family relationships, which of course couldn’t be further from the truth. Charles Redfern is an oh-so-proper English gentleman who has just been knocked from his bicycle and is currently in a coma. His wife Anne is a bit of a snivelling wreck, but it soon becomes apparent that her nervous state originated long before her husband’s accident. Their daughter Charlotte has long had an uneasy relationship with Anne, and has very mixed emotions about her father’s accident. As the characters reflect back on their lives, we see that Anne was once a vibrant, popular young woman, whose personality changed immensely once she married Charles. Growing up in a very stifled home environment, it’s little wonder that Charlotte has trouble maintaining close relationships. Uncomfortable subject matter, but a very well-written tale.


 

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